Nandini finds it tough now because her don father has something else in mind. In this act even Nandini supports him to pretend as daughter of Principal. The peck on the cheek strengthens Venkata and her assurance for taking revenge on principal who slapped her in front of all the students turns very costly.ДЇor the `Kisses' of Nandini Venkata with his friend Satisha tonsure the head of his college principal and that leads him to make more `Drama' to bail out from the mistake he has done. Venkata meeting Nandini moves him to a college in Hassan for further studies.

In selection of songs, properties, locations and techniques he is on par with the present standards.ДЄccording to the forecast of `Doll' astrology and the meeting of Venkata moves on in life with complications and the clue for turn of developments is well prepared for the audience. In the character building and feeding them with good dialogues Yogaraj Bhat is as strong as ever. In the process he has turned ordinary at places, gobbled more time and lack in brevity of expression.ДЇor the youths there are enough of tantrums and pranks, for elders there is sentiments with good dosage, action lovers there is enough of bullet exchange and action from Yash, astrologers smile at developments forecasted in the life of protagonist turning true. Why only for youths let us make a film for family audience is the thought of Yogaraj Bhat. It is too dramatic at places and the characters and issues he raises - underworld nexus, sentiments, love, fun, action, superstition etc added in this film `Drama' is an attempt to draw all section of audiences to the theatres. In giving entertaining cinema director of high reputation Yogaraj Bhat has deviated from his set of principles is very much clear from this `Drama'.

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